Publication List: Jessica Reed
2024:
“The Past Is Altered: A Review of The Selected Shepherd,” Green Linden [November 2024.]
2023:
“The Greens, the Birds, the Speech, the Dance, the Silence,” Conjunctions, both online and print Issue 81, Numina [Fall 2023.]
“One Must Keep Trying to Make the Unsaid Said: Jorie Graham’s To 2040 and [To] the Last [Be] Human.” Annulet. [October 2023.]
“Do Animal Minds Run Out,” Annulet. [June 2023.]
2022:
“If It Were Drawn,” AZURE: A Journal of Literary Thought. 2022.
“O restless,” Tiny Spoon, 2022.
“Eros 1.0: The Frictionless Plane” and “Subtraction,” Chicago Review [online], June 2022.
“Night Mind” and “La Cueva de los Cristales,” Conjunctions: 78, 2022.
Still Recognizable Forms. Chapbook, co-winner of the Midwest Chapbook Contest. Laurel Review/Greentower Press. Spring 2022.
“Matter Waves” Fissured Tongue [Inverted Syntax online]. 2022.
“Compton Scattering,” Inverted Syntax, 2022.
“See Fig. 1,” “Bachelard and the Owl,” Laurel Review, 2022.
“Quantum Chaos in a Kicked Top,” The Journal 45.2, 2022. [Artwork on cover of The Journal 45.2: Beyond the Surface, Mary GrandPré]
2021:
“Bird and Invisible Ropelike,” Timber Issue 11.2, 2021. [Nominated for a Pushcart Prize]
“Between the hardly real and the barely there: Review of Rae Armantrout’s Conjure,” Jacket2, April 2021.
2020:
“As the Knud Rasmussen Glacier Calves, a Woman Translates ‘Gravitational Waves’ into Blackfoot,” Scientific American, August 2020.
“The Essence of Seeing: Surrealism, Relativity, and Quantum Mechanics,” Nightingale, 2020 [ESSAY]
“Physicist and Pencil,” New American Writing, 2020
“All Motion She Believes,” Bellingham Review, 2020
“Concerning the Figure of Nature,” “Whose Form Is Delocalized,” Inverted Syntax, 2020 [“Whose Form” also appeared in Fissured Tongue, the online publication of Inverted Syntax, in 2019.]
2019:
“Touch,” DIAGRAM, 2020
“Physics Fail,” Denver Quarterly, 2019
“Materialism, Exhibit 43: Woodpecker and Ash Borer,” Exposition Review, 2019 [nominated for a Pushcart Prize]
“I See the Systems Lift” Crazyhorse, 2019
“Flysch,” Conjunctions, 2019
“Red After the Taking” Conjunctions, 2019
“Technofossils, Still Recognizable Forms” Conjunctions, 2019
“Cultivate/Topographical” Conjunctions, 2019
“Large Glass: The Bride’s Erotic Selfies and the Sum Over Histories” Quarterly West, 2019 [nominated for Best New Poets 2020]
“Woolsthorpe in the Mythical Annus Mirabilis” PANK, 2019
“Resemblance” Omniverse, 2019
“In the Presence of Western White” Omniverse, 2019
“Whose Form Is Delocalized” Inverted Syntax, 2019
“Diagrams,” Tiny Spoon, 2019
“Antimatter” Tipton Poetry Journal 2019
2018:
“Rescue,” Conjunctions, 2018
“At Still Greater Depths, the Coral’s Fluorescent Proteins Supply Algae with Light” Conjunctions, 2018
“Inventory of a Midwestern Barn,” Conjunctions, 2018
“Microbe,” Conjunctions Online, 2018
“Realm of the Fungi,” Conjunctions Online, 2018
“Strewn in the Air,” Conjunctions Online, 2018
“Wisdom of the Hymenoptera,” Conjunctions Online, 2018
“Miura Fold,” Conjunctions Online, 2018
“Outlast,” Conjunctions Online, 2018
“Weighty and Permanent,” The Writers’ Café Magazine, 2018
“Ch 48: The Physical Meaning of a Probability,” The Writers’ Café Magazine, 2018
“They Come to Unbuild (Eddington Erasure),” The Writers’ Café Magazine, 2018
“Little Prelude BWV 935,” The Writers’ Café Magazine, 2018
2017:
“Field of Vision,” Conjunctions, 2017
“I Once Was Dry Light,” Conjunctions, 2017
“Hypothetical Flawless,” Conjunctions, 2017
“Worldlines, or Place as Literal,” New American Writing 2017
“Space Without Objects,” Colorado Review 2017
“Vastness at the Bottom of the World,” 111O 2017
“Materialism, Exhibit 4: Hospital (1992),” The Indianapolis Review, 2017
2016:
“Light, a Disturbance,” Crazyhorse 2016
“Entropy,” Crazyhorse 2016
“General Relativity: A Natural History of Motion,” Bellingham Review 2016
“The Unreasonable Effectiveness of Language in Special Relativity,” Bellingham Review 2016
“Orbiting the Nucleus,” Waxwing 2016
“Madness and the Composition of Lucretius’s De Rerum Natura,” 111O 2016
“Red,” Tinderbox Poetry Journal 2016
“Little Room in the Mind,” Conjunctions, 2016
“Exotic Atoms and the Visible World,” Conjunctions, 2016
“The Distortion of Spacetime,” Conjunctions, 2016
“A World Made of Atomes,” Conjunctions, 2016
“Atom, Cathedral” on Indiana Humanities page for National Poetry Month, April 2016
2015:
“To Pin However Many Down,” Tinderbox Poetry Journal 2015
“Wake: World, Arrived,” North American Review 2015
“Particle,” Spiral Orb 2015
“Late Summer in Indiana, as the Earth Passes…” The Fourth River 2015
“I Dreamt I Saw an Atom Bare,” Conjunctions, 2015
“Enter: Matter,” Conjunctions, 2015
“Matter, Resistance,” Conjunctions, 2015
“Measure,” Conjunctions, 2015
“There Must Be,” Conjunctions, 2015
“Atomos: A Canonical Dialogue with Lucretius,” Conjunctions Online, 2015
“The Persistence of Aether,” Kudzu House Quarterly 2014
“Atom, Cathedral,” Spiral Orb 2014
“A Model for the Destruction of Hard Things,” The Fourth River 2011
“Light, Pinned and Singing,” The Fourth River 2011
“Song for the Troubled Mathematician…” The Fourth River 2011
“Fundamental Particles Interact with the Higgs Field, Give Rise to Mass” Isotope 2009
“Custodians of the Strong Force,” Symmetry: dimensions of particle physics, Feb 2009
“An Ocean of Instance, An Ocean of Law” Isotope 2008
“The Artistic Temperament” Maine in Print 2004